Collections
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Leather Chair Pads - Precision-Fit Comfort for Iconic Scandinavian & Vintage Chairs
At Deszine Talks, a chair pad is never generic. Every pad in this collection is precision-tailored to a specific iconic chair from Arne Jacobsen’s Series 7 and Ant Chair to the HAY AAC10, Poul M. Volther J46, Nanna Ditzel Trinidad, Mikado, and Charles Eames shell chairs. Each one enhances everyday comfort without compromising the chair’s original design intent, silhouette, or visual balance.
Available in genuine leather and natural Hairon (hair-on cowhide), in up to 9 colourways Black, Tan, White, Blue, Red, Sand, Burgundy, Dark Brown, and Hairon each pad develops a natural patina with use, growing more characterful over time.
Shop by Chair Model
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Arne Jacobsen Series 7 Models 3107 & 3207
- → Genuine Leather Seat Cushions Set of 6 | 1,899 DKK | 8 colours
- → Hairon Leather Pads (Astole Position) Set of 6 | 1,899 DKK | 4 Hairon patterns
Also available: full leather covers and Hairon covers for the Series 7 for a complete upholstery refresh.
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Arne Jacobsen Ant Chair Model 3101 Myren
- → Genuine Leather Seat Cushions Set of 6 | 1,899 DKK | 8 colours
- → Hairon Leather Seat Cushions Set of 6 | 1,899 DKK | 4 Hairon patterns
Also available: full leather and Hairon covers for the Ant Chair for a complete look.
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Nanna Ditzel Trinidad Chair
- → Genuine Leather Seat Cushions Set of 6 | 1,899 DKK | 9 colours incl. Hairon
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HAY AAC10 Chair by Hee Welling
- → Genuine Leather Chair Pads Set of 6 | 1,499 DKK | 8 colours
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Poul M. Volther J46 Chair
- → Genuine Leather Chair Pads Set of 6 | 1,499 DKK | 9 colours incl. Hairon
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Mikado Chair
- → Leather Chair Pads Set of 6 | 1,899 DKK | 9 colours incl. Hairon
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Charles Eames Shell Chairs DAW, DAR, DAX, DAL & RAR
- → Genuine Leather Seat Cushion | 1,899 DKK | 9 colours incl. Hairon
Why Deszine Talks Chair Pads?
- ✓ Precision-fit for specific iconic models no bulk, no slipping, no compromised silhouette
- ✓ Genuine leather and natural Hairon cowhide both develop rich patina with use
- ✓ Up to 9 colourways Black, Tan, White, Blue, Red, Sand, Burgundy, Dark Brown, Hairon
- ✓ Sold in sets of 6 ideal for dining tables, contract interiors, and full room sets
- ✓ Anti-slip backing stays securely in place during everyday use
- ✓ Investment quality designed to last decades alongside the chairs they are made for
Need a Custom Size?
If your chair is not listed above, our Custom Leather Chair Pad is made to your exact dimensions available in sets of 4, 6, or 8, from 669 DKK. Choose your size, colour, and quantity for a bespoke solution that fits any chair.
Pad vs. Cover Which Is Right for You?
Chair Pad - Sits on top of the seat; easy to add, remove, and swap. Best for adding comfort and a colour accent without a permanent change. Non-intrusive, reversible.
Chair Cover - Wraps over the full shell; a more complete upholstery refresh. Best for a dramatic transformation or a fully coordinated dining set. Browse our Chair Cover collection for the full range.
Complete Your Interior
Chair pads are the simplest upgrade to any seating setup. Pair them with our Leather Cushions for deeper seating comfort, explore Chair Cushions for fabric alternatives, and browse our full Chair collection if you are still looking for the right frame. Ground the whole composition with a Carpet and layer warmth with Pillows and Sofa seating for a fully considered Scandinavian interior.
Chair Pad
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Arne Jacobsen Series 7 Models 3107 & 3207
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Charles & Ray Eames - The Most Influential Partnership in the History of Design
At Deszine Talks, the Charles & Ray Eames collection occupies a category of its own. No other partnership in the history of 20th-century design produced a body of work so technically ambitious, so formally inventive, and so genuinely beloved by the people who live with it. From the moulded plywood of the LCW to the enveloping leather of the Eames Lounge Chair, every piece in this collection carries the unmistakable signature of two minds who believed, without reservation, that good design was a natural right not a luxury reserved for the few.
Charles Eames (1907–1978) trained as an architect in St. Louis before a fellowship at the Cranbrook Academy of Art in Michigan changed the direction of his life. It was there, in 1940, that he met Ray Kaiser (1912–1988) a painter, visual artist, and textile designer who had studied under Hans Hofmann in New York and brought to the partnership a sensibility for colour, pattern, and surface that Charles alone could not have supplied. They married in 1941 and established their studio in Venice, California, launching one of the most productive creative collaborations the design world has ever seen.
Their breakthrough came in 1940, when Charles and fellow Cranbrook student Eero Saarinen won first prize in MoMA’s Organic Design in Home Furnishings competition with a proposal for moulded plywood shells shaped to the contours of the human body. The technology to manufacture these compound curves did not yet exist — so they built it. Working in their Venice house with a self-made device they called the “Eames Kazam! Machine”, they spent years perfecting the process of bonding and moulding plywood into three-dimensional shells capable of distributing weight and flexing with the body in ways that no prior seating technology could achieve.
What followed was a two-decade explosion of invention: plywood furniture, fibreglass shells, aluminium frames, wire mesh, storage systems, and eventually the piece that stands as perhaps the most recognised chair in the world. Their work was never merely aesthetic. Every formal decision every curve, every material choice, every joint detail was driven by a relentless investigation of how things are actually made and how people actually live. “The details,” Charles famously said, “are not the details. They make the design.”
Signature Pieces in This Collection
- Eames Lounge Chair & Ottoman (670 & 671) - Designed in 1956 and introduced on NBC television by Arlene Francis with Charles Eames himself, the Lounge Chair is the definitive expression of mid-century luxury. Its three moulded plywood shells seat, back, and headrest are each veneered in rich rosewood or walnut and cushioned with thick, button-tufted leather pads in black, tan, or cognac. The base is a five-star polished aluminium swivel pedestal. Charles described it as having “the warm, receptive look of a well-used first baseman’s mitt” furniture that invites rather than impresses. The matching Ottoman completes one of the most resolved objects in the history of seating. A lifetime investment and an undeniable statement in any room.
- LCW – Lounge Chair Wood - Designed in 1945 and voted the greatest design of the 20th century by Time magazine, the LCW was the first commercially successful chair to use compound-moulded plywood for both seat and backrest shells. The two shells are connected by a rubber shock mount that allows independent flex an engineering solution that also became a formal signature. Low-slung, organic, and democratic, the LCW remains one of the most studied objects in the history of industrial design.
- DSW – Dining Side Chair Wood - Introduced in 1950 as part of the Plastic Chair series, the DSW brought the Eameses’ fibreglass shell technology to the dining chair format. The one-piece fibreglass shell later produced in polypropylene was the first mass-produced plastic chair shell in history, available in a palette of colours that Ray Eames curated personally. Its solid wood dowel leg base gives it a warmth that the metal-legged versions cannot match. Available across the widest range of shell colours and is equally at home at a dining table or deployed as a single accent chair.
- DAW – Dining Armchair Wood - The armchair variant of the DSW, the DAW pairs the same fibreglass or polypropylene shell with a solid wood dowel base and adds gracefully curved arms that extend the shell’s organic language. Wider and more generous in proportion than the DSW, it is particularly effective at the head of a dining table or as a singular accent chair in a reading corner or home office.
- Eames Plastic Chair (RAR – Rocking Armchair Rod)- The rocking version of the plastic shell chair, set on a wire rod base with solid wood rockers, is one of the most visually surprising pieces in the Eames catalogue. The RAR combines industrial materials steel rod, fibreglass with the ancient domestic comfort of a rocking chair, producing a tension between the modern and the familiar that is distinctly Eames in its sensibility. Ideal as a nursery chair, a reading chair, or simply as the most characterful seat in a room.
- Eames Compact Sofa - Designed in 1954, the Compact Sofa brought Eames formal language to upholstered seating. Low-profile, tightly upholstered in leather or fabric, and set on a slender aluminium or wood base, it is the antithesis of the oversized, overupholstered sofa a piece that takes up little visual space while providing generous, supportive seating. A masterwork of disciplined proportion.
- Cushions & Accessories - Seat pads and cushions in leather and fabric selected to complement the shell geometries and material palette of the Eames collection, adding warmth and comfort without obscuring the formal clarity of each piece.
The Material Revolution Behind Every Piece
The Eameses were, before anything else, inventors. Their furniture was the output of a sustained investigation into materials and manufacturing processes that had no precedent in the furniture industry. Moulded plywood had existed for decades used in aircraft and prosthetics during World War II but no one had successfully formed it into the compound curves required for a comfortable chair shell. The Eameses solved this problem through years of patient, iterative experimentation, ultimately developing a manufacturing process that allowed them to produce organic, body-conforming shells in the tens of thousands.
When plywood met its limits it could not be formed into the deeper curves of the DAX or DSX shells they turned to fibreglass, becoming the first designers to apply the material commercially to furniture. Fibreglass allowed one-piece shells of almost unlimited curvature, available in colours mixed under Ray’s direction: Elephant Hide Grey, Seafoam Green, Greige, La Fonda White. These were not incidental colour choices. Ray Eames regarded colour as a structural element of the design as load-bearing, in its own way, as the shell itself.
The aluminium and wire bases, the shock mounts, the dowel legs each was developed to solve a specific structural or ergonomic problem and each became, in solving it, a formal element of lasting beauty. This is the discipline that separates Eames design from mere style: every visual decision is also a functional decision, and the two are inseparable.
Why Deszine Talks for Charles & Ray Eames?
- ✓ Faithful to original shell geometries, proportions, and base specifications
- ✓ Premium leather upholstery thick, supple, and selected for multi-decade wear
- ✓ Polished aluminium and solid wood bases finished to the original specification
- ✓ Shell colours curated to honour Ray Eames’s original palette no approximations
- ✓ Suitable for residential, hospitality, office, and contract interiors
How to Style Eames in Your Interior
The Eames Lounge Chair & Ottoman is a room-defining piece position it as a solitary anchor beside a floor lamp or in a corner with clear sightlines, giving the walnut veneer and leather cushions space to be read in full. Pair with a low Sofa in a complementary leather tone and ground the composition with a Carpet in a warm, undyed weave. The Lounge Chair sits equally well in a living room, a home library, or a considered home office.
DSW and DAW chairs are inherently social use them in multiples around a dining surface or Study Table, mixing shell colours for the kind of curated eclecticism that Ray Eames herself practised. Add Leather Cushions or Fabric Cushions to the DSW for extended comfort, and finish the room with a Mirror to amplify the visual energy of the shell palette.
Explore More Mid-Century & Scandinavian Design Icons
The Eames collection sits at the heart of the mid-century modern canon and finds natural companions in the broader world of Scandinavian and international modernism. Discover the organic shell mastery of Arne Jacobsen whose Egg and Swan were conceived in the same decade as the Eames Lounge Chair. Explore the structural honesty of Børge Mogensen or the ergonomic mastery of Bruno Mathsson. The handcrafted Swedish warmth of Carl Malmsten offers a counterpoint in natural wood and linen. For the full sweep of what we curate, begin with our Furniture collection or let our customers guide you through our Best Sellers cohesive, considered, lasting.
Charles & Ray Eames
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Cushions - Precision-Fit Comfort for Scandinavian Design Classics
At Deszine Talks, every cushion is designed for a specific chair or sofa not as a generic accessory, but as a considered extension of the original design. Our cushion range spans genuine leather, Hairon cowhide, and premium upholstery fabric, across chairs and sofas by Hans J. Wegner, Bruno Mathsson, Børge Mogensen, Arne Jacobsen, Ole Wanscher, Poul Kjærholm, and Erik Ole Jørgensen.
Each cushion respects the chair’s original proportions and design intent no added bulk, no disrupted silhouette. Just enhanced comfort, honest materials, and a patina that builds beautifully over time.
Featured in This Collection
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Pillow Cushion for Bruno Mathsson Easy Chair (Dux)
900 DKK | Black & Tan | Repositionable, no fixing requiredA functional comfort pillow designed specifically for the Bruno Mathsson Easy Chair’s suspended leather seating system. Adds a discreet secondary layer of support without altering the chair’s ergonomic behaviour, seating angles, or visual restraint. Available in Black and Tan colours that age consistently alongside the Easy Chair’s leather cover. Repositionable and removable at any time.
Also available for the Easy Chair: Leather Chair Cover Set (Dux) for a complete upholstery refresh.
Explore the Full Cushion Range
This collection is a curated entry point. Our complete cushion range spans 60+ precision-fit sets across chairs, sofas, stools, and lounge furniture. Browse by category to find the right fit for your piece:
- → Leather Cushions - Our flagship range. 48 precision-fit genuine leather & Hairon cushion sets for Wegner, Jacobsen, Mathsson, Mogensen, Wanscher & more. From 1,000 DKK.
- → Cushions for Chair - 33 precision-fit leather & fabric cushion sets across 5 iconic Scandinavian designers - Wegner, Mathsson, Mogensen, Wanscher & Klint. Sets of 2, 4 or 6.
- → Cushions for Sofa - Leather, Hairon & fabric cushion sets for Børge Mogensen Model 1789 & Erik Ole Jørgensen J148/J149 sofas. Sets of 4 or 5.
- → Chair Pads - Precision-fit leather seat pads for Arne Jacobsen Series 7 & Ant Chair, HAY AAC10, Eames, Trinidad, Mikado & J46. Sets of 6.
- → Chair Covers - Full leather, aniline, semi-aniline & Hairon shell covers for Arne Jacobsen Series 7, Ant Chair, Mosquito & Poul Kjærholm PK22.
- → Fabric Cushions - Breathable, soft textile alternatives for CH24 Wishbone Chair, Pernilla Lounge Chair, Mogensen 1789 & PK22.
- → Custom Leather Chair Pads - Made to your exact dimensions in genuine leather. 40×40 or 42×42 cm, sets of 2, 4 or 6. From 669 DKK.
- → Cushion Covers - Genuine leather cushion covers in Black, Brown & Multi-colour. Sets of 2. From 290 DKK.
Three Material Expressions
- Genuine Leather - Full-grain cowhide in up to 9 colourways Black, Tan, White, Blue, Red, Sand, Burgundy, Dark Brown, and Hairon. Develops a rich natural patina with use.
- Hairon (Hair-On Cowhide) - Natural hair retained on the outer surface in Tan, Black, and mixed patterns. Bold, tactile, and entirely unique.
- Premium Upholstery Fabric - Breathable, soft, and warm a lighter textile alternative available for select models.
Not Sure Which Cushion Fits Your Chair?
- ✓ Arne Jacobsen Series 7, Ant Chair or Mosquito See Chair Pads or Chair Covers
- ✓ Hans J. Wegner CH24, GE290, J16 or CH23 See Cushions for Chair or Leather Cushions
- ✓ Bruno Mathsson Pernilla, Ingrid or Easy Chair See Cushions for Chair or Fabric Cushions
- ✓ Børge Mogensen Sled, J39, Spanish Chair or Model 1789 Sofa See Cushions for Chair or Cushions for Sofa
- ✓ Poul Kjærholm PK22 See Chair Covers for leather, aniline, Hairon, fabric & canvas options
- ✓ My chair is not listed See Custom Leather Chair Pads made to your exact dimensions from 669 DKK
Complete Your Interior
The right cushion transforms a chair and the right interior takes it further. Browse our full Chair collection if you are still searching for the perfect frame, layer the sofa with Pillows and Leather Cushion Covers, and ground the whole room with a Carpet. Dress the walls with a Leather Mirror and set the table with Leather Table Mats & Coasters. Browse our full Furniture collection for a Scandinavian interior that is cohesive, honest, and built to last.
Cushion
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Pillow Cushion for Bruno Mathsson Easy Chair (Dux)
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Sofa Cushions - Precision-Fit for Børge Mogensen & Erik Ole Jørgensen Classics
At Deszine Talks, sofa cushions are never one-size-fits-all. Every set in this collection is precision-tailored to a specific iconic sofa the Børge Mogensen Model 1789 Sofa Bed and the Erik Ole Jørgensen J148 & J149 Couch Sofas available in genuine leather, Hairon cowhide, and premium upholstery fabric. Each set restores, refreshes, or elevates a Danish design classic without compromising its original silhouette, proportion, or design intent.
Whether you are looking for the warmth of natural leather, the bold texture of Hairon, or the breathable softness of fabric, there is a cushion set here that is made for your sofa and built to age beautifully alongside it.
Shop by Sofa Model
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Børge Mogensen Model 1789 Sofa Bed
One of the most enduring pieces in Danish furniture design honest materials, balanced proportions, built for daily life.- → Genuine Leather Cushion Set 5 Pcs | 5,499 DKK | 9 colours incl. Hairon
- → Hairon Leather Cushion Set 5 Pcs | 5,499 DKK | 4 Hairon patterns
- → Fabric Cushion Set 5 Pcs | 4,999 DKK | Grey
Also available: leather cushions for other Børge Mogensen chairs and stools coordinate across your full Mogensen setup.
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Erik Ole Jørgensen J148 Couch Sofa
Defined by openness, generous proportions, and an inviting architectural presence a Danish mid-century icon.- → Genuine Leather Pillow Kit Set of 4 | 4,799 DKK | 8 colours
- → Hairon Leather Pillow Kit Set of 4 | 4,799 DKK | 4 Hairon patterns
- → Fabric Pillow Kit Set of 4 | 3,799 DKK
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Erik Ole Jørgensen J149 3-Seater Couch Sofa
Generous, composed, and deeply comfortable a 3-seater sofa built for considered living.- → Genuine Leather Pillow Kit | 4,699 DKK | 8 colours + Hairon option
Three Material Expressions - One Collection
- Genuine Leather - Full-grain cowhide in up to 9 colourways; supple, warm, develops a rich natural patina. The classic choice for a Scandinavian interior.
- Hairon (Hair-On Cowhide) - Natural hair retained on the outer surface in Tan, Black, Tan White, and Black White patterns. Bold, tactile, and entirely unique no two sets are identical.
- Premium Upholstery Fabric - Durable, breathable, and soft a warmer, lighter alternative that sits naturally in contemporary Scandinavian interiors.
Why Deszine Talks Sofa Cushions?
- ✓ Precision-fit for specific sofa models no guesswork, no ill-fitting cushions
- ✓ Three material types: genuine leather, Hairon cowhide, and premium fabric
- ✓ Up to 9 colourways coordinated with our chair cushion and leather cushion range
- ✓ Respects original design intent no added bulk, no disrupted silhouette
- ✓ Develops natural patina with use investment quality built to last decades
- ✓ Sofa not included cushions only, priced for the material and precision they deliver
Complete Your Living Space
The right cushion set transforms a sofa and the right interior takes it further. Explore our Sofa collection if you are still searching for the perfect frame. Layer your sofa with Pillows and Leather Cushions for richly textured comfort, add a Stool or Day Bed alongside, and ground the whole composition with a Carpet. For seating accessories across our full chair range, browse the complete Leather Cushions collection and Chair Pads every piece designed to live alongside the others, cohesive, considered, and lasting.
Cushion for Sofa
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Børge Mogensen Model 1789 Sofa Bed
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Designer Day Beds - Sculptural Lounging, Scandinavian Craft
At Deszine Talks, every day bed is chosen with deliberate restraint where sculptural form meets the quiet comfort of true Scandinavian design. Our Day Bed collection brings together generously proportioned pieces upholstered in supple genuine leather and natural cowhide, set on oblique hardwood or precision-polished steel legs.
Whether anchoring a sunlit living room, a considered home office, or a refined guest space, these pieces command attention quietly the hallmark of enduring Nordic design.
Explore the Collection
- Leather Day Beds - Buttoned and plain leather upholstery on solid hardwood or polished steel frames. A centerpiece for any interior.
- Cowhide Day Beds - Natural cowhide surfaces with oblique hardwood legs; each piece unique in pattern and texture.
- Steel-Frame Day Beds - Minimalist powder-coated steel structures with leather seating architectural precision for the modern interior.
Why Deszine Talks Day Beds?
- ✓ Authentic Scandinavian-inspired designs honest materials, no excess
- ✓ Premium leather, natural cowhide, solid hardwood, and polished steel construction
- ✓ Generous proportions for all-day lounging and relaxed overnight use
- ✓ Curated for design integrity, material quality, and everyday durability
Complete Your Interior
A day bed is only the beginning. Layer your space with our Leather Cushions and Chair Cushions for tactile warmth, add a Carpet to anchor the room, and finish with a Mirror or complementary Sofa to complete the composition. Each piece is designed to live alongside the others cohesive, considered, lasting.
Day Bed
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Erik Ole Jørgensen - The Sculptor of the Danish Easy Chair
At Deszine Talks, the Erik Ole Jørgensen collection stands for a strand of Danish modernism that trusted the organic form absolutely furniture that begins not from a grid or a structural diagram but from the body itself, from the natural posture of a person at rest, and from the visual pleasure of a silhouette that could stand alone as sculpture. Jørgensen (born 1931) is one of the most formally inventive figures in the entire history of Danish furniture design, and one of the least imitated: his work is too specific, too fully resolved, and too demanding in its upholstery to be easily approximated.
Born in Denmark, Jørgensen trained as an upholsterer before establishing his own design and manufacturing company in Svendborg in 1954. This background was decisive. Unlike designers who drew forms and handed them to craftsmen to interpret, Jørgensen understood upholstery from the inside out he knew exactly what a foam pad or a spring system could and could not achieve, and he used that knowledge to push upholstered furniture into formal territory that no other designer had explored. His chairs are not frames with cushions applied to them. They are forms conceived as unified wholes, in which the upholstery is the structure and the structure is the upholstery.
His company, Erik Ole Jørgensen Møbelfabrik, became one of the most respected small furniture manufacturers in Denmark a producer whose commitment to handcrafted upholstery quality was absolute and whose catalogue, though never large, contained some of the most technically demanding pieces in the Danish modern tradition. The company continues today under the name EJ Furniture, still producing Jørgensen’s original designs alongside a carefully selected range of work by other Danish designers, all made in Denmark and all upholstered by hand.
His international recognition came most decisively through his relationship with the architect and designer Poul Volther, whose Corona Chair Jørgensen manufactured with such technical mastery that the two names became inseparable in the minds of collectors and designers worldwide. But Jørgensen’s own designs the Ox Chair above all are the fullest expression of his vision: furniture that is simultaneously architecturally bold, visually dramatic, and profoundly comfortable to sit in.
Signature Pieces in This Collection
- EJ 100 Ox Chair & Ottoman - Designed by Hans J. Wegner in 1960 and manufactured by Erik Ole Jørgensen, the Ox Chair is one of the most recognisable silhouettes in the history of 20th-century design. Its name comes unmistakably from the two horn-like protrusions of the high backrest a formal decision that was entirely without precedent and has never been replicated without reference to Wegner’s original. The chair’s body is a single, continuous upholstered shell that rises from the seat through the back and into the two “horns”, supported on a four-legged chrome or matt steel base. The upholstery — in leather, fabric, or a combination — must be shaped over a complex foam substructure that only the most skilled upholsterers can execute correctly: a technical demand that is itself a testament to the manufacturing excellence of Jørgensen’s atelier. The matching Ottoman completes one of the most resolved and arresting lounge chair statements in the modernist canon. A genuine icon and an investment of the highest order.
- EJ 20 Corona Chair - Designed by Poul Volther in 1961 and manufactured by Erik Ole Jørgensen with extraordinary technical precision, the Corona Chair is among the most structurally complex upholstered chairs ever produced. Its four crescent-shaped cushion elements each independently mounted on a central swivel base create a form that appears almost impossibly light, as though the cushions are orbiting a gravitational centre rather than resting on a frame. The name refers to the corona of the sun, and the analogy is not merely poetic: the chair genuinely appears to radiate outward from its base. Available in leather or fabric across a wide palette, the Corona Chair is as visually effective in a contemporary minimal interior as it was in the space-age context of its creation.
- EJ 45 Falcon Chair - Designed by Sigurd Ressell in 1971 and produced by Erik Ole Jørgensen, the Falcon Chair takes its name from the spread-winged posture of its dramatically reclined seat and backrest. The upholstered shell divided into four separately upholstered sections is mounted on a V-shaped chrome or black steel base that elevates the seat to a height that encourages a deeply reclined sitting position. The Falcon is a chair designed for total relaxation: its geometry makes upright sitting almost impossible and deep, legs-extended lounging almost inevitable. In leather, it is a particularly dramatic presence dark, architectural, and unmistakable from across a room.
- EJ 315 Amoebe Sofa - Jørgensen’s own sofa design, the Amoebe, takes its name from the amoeba the single-celled organism whose defining characteristic is its lack of fixed form, its capacity to extend and contract and reshape itself in response to its environment. The Amoebe Sofa applies this logic to upholstered seating: its profile is fluid and irregular, with a high wrap-around backrest that curves and dips in a continuous organic movement. No two viewing angles produce the same silhouette. The result is a sofa that is simultaneously dramatic as a room statement and genuinely enveloping as a seating experience. Available in leather and fabric.
- EJ 50 Tub Chair - A more contained, architecturally disciplined piece within the Jørgensen catalogue, the Tub Chair wraps its upholstered backrest continuously around the seat in a low, rounded form that is equally effective as a singular accent chair, a hotel lobby statement, or a compact reading chair in a private home. Its lower visual profile makes it more versatile than the Ox or Corona in tightly furnished spaces, without sacrificing any of the upholstery quality that defines every piece in the Jørgensen range.
- Cushions & Accessories - Premium leather and fabric cushions selected to complement the organic upholstery geometry and rich material palette of Jørgensen’s pieces adding warmth and seasonal softness without disrupting the sculptural integrity of each design.
The Upholstery Is the Architecture
The defining quality of every piece in this collection and the quality that makes Jørgensen’s work so difficult to replicate at lower price points is the inseparability of form and upholstery. In most furniture, the upholstery is applied to a frame: it can, in principle, be removed and the frame will remain coherent. In Jørgensen’s pieces, this is not the case. The Ox Chair’s horns, the Corona Chair’s orbiting crescents, the Falcon Chair’s spread wings these forms exist only because of the upholstery’s ability to hold a three-dimensional shape over a precision-engineered foam and spring substructure. Remove the upholstery and there is no chair only an armature.
This means that the quality of the upholstery work is not a secondary consideration but the primary one. Jørgensen’s Svendborg atelier employs upholsterers whose training measured in years, not months enables them to achieve the precise surface tension, the exact corner radii, and the seamless transitions between adjacent upholstered panels that these pieces require. The leather hides used are selected individually for grain consistency across the full surface area of each chair: a single Ox Chair may require matching sections from two or three separate hides to achieve the visual unity that the design demands.
The foam formulations used in Jørgensen’s pieces are specified for long-term resilience they are designed to retain their density and shape over decades of use, rather than the months that economy foam manages. This is furniture that is genuinely built to last, in the fullest sense: not merely structurally durable but sensorially consistent over a lifetime of sitting.
Why Deszine Talks for Erik Ole Jørgensen?
- ✓ Handcrafted upholstery by trained specialists not approximated, not industrialised
- ✓ Premium full-grain leather hides selected for grain consistency across each individual piece
- ✓ Long-term resilience foam formulations specified for decades of shape retention
- ✓ Chrome and matte steel bases finished to the exact specification of each original design
- ✓ Suitable for premium residential, hospitality, and high-specification contract environments
How to Style Erik Ole Jørgensen in Your Interior
The Ox Chair and Corona Chair are both room-defining statement pieces each demands space to be read in full and rewards generous clearance on all sides. Position the Ox Chair as a solitary anchor at the end of a living arrangement, with at least 80cm of clearance behind the horns and to each side. Ground the composition with a Carpet in a natural, undyed flatweave that does not compete with the chair’s silhouette, and balance with a low Sofa in a complementary leather tone on the opposite axis.
The Falcon Chair works particularly well in a corner or beside a floor-to-ceiling window, where its reclined geometry reads as a deliberate invitation to rest rather than a spatial intrusion. Layer with Leather Cushions in a complementary tone and add a Fabric Cushion for tactile contrast. A Mirror on an adjacent wall will reflect the sculptural profile of any Jørgensen piece with particular effect, amplifying its formal presence without adding material weight. Introduce a Bench or low side surface to anchor the Ottoman in relation to the broader room composition.
Explore More Danish & Scandinavian Design Icons
Erik Ole Jørgensen’s sculptural confidence finds natural companions across our designer collections. The organic shell mastery of Arne Jacobsen — whose Egg Chair belongs to the same decade of formal ambition as the Ox and Corona is explored in its own collection. The structural rigour of Børge Mogensen and the quiet precision of Erik Magnussen offer counterpoints in disciplined, architecturally resolved modernism. The material invention of Charles & Ray Eames shares the same belief in form-as-engineering that drives every Jørgensen design. For the warmth of Swedish craft tradition, visit the Carl Malmsten Collection. Begin with our Furniture collection for the broadest view, or let our customers guide you through our Best Sellers cohesive, considered, lasting.
Erik Ole Jørgensen
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Premium Designer Furniture Timeless Scandinavian Craftsmanship
At Deszine Talks, every furniture piece is chosen with deliberate restraint where form follows function and beauty endures beyond trends. Our curated Furniture collection brings together authentic Scandinavian-inspired designs crafted from the finest materials: supple genuine leather, solid hardwood, natural cowhide, and precision-polished steel.
Whether you are furnishing a calm Nordic living room, a considered home office, or a refined hospitality space, this collection delivers pieces that command attention quietly the hallmark of true Scandinavian design.
Explore the Collection
- Day Beds - Generously proportioned, upholstered in buttoned leather or natural cowhide with oblique hardwood or polished steel legs. A centerpiece for any interior.
- Sofas - Structured silhouettes in rich leather, built for lasting comfort and architectural presence.
- Benches - Sleek leather benches with sloping hardwood legs; as functional as they are sculptural.
- Stools - Leather-upholstered round, square, and button-tufted stools that bring warmth and versatility to any room.
- Chairs - Icon-worthy seating built on decades of Nordic design heritage.
- Study Tables - Clean-lined desks that pair form with focus.
Why Deszine Talks Furniture?
- ✓ Authentic designs inspired by Scandinavian masters honest materials, no excess
- ✓ Premium leather, natural cowhide, solid hardwood, and polished steel construction
- ✓ Pieces that age beautifully and integrate seamlessly into both modern and classic interiors
- ✓ Curated for design integrity, material quality, and everyday durability
Complete Your Interior
Great furniture is only the beginning. Layer your space with our Leather Cushions and Chair Cushions for tactile warmth, add a Carpet to anchor the room, and finish with a Mirror or Chair Cover to refine every detail. Each piece is designed to live alongside the others cohesive, considered, lasting.
Furniture
